Morris dancing meant different things to different social groups, and its meaning and usage has altered over time.” Chandler, Keith. “Ribbons, Bells and Squeaking Fiddles”. Wiltshire, England: Dotesios Ltd., 1993. This statement is true for all art forms but especially for art forms that the instrument is the performer’s own body. For example, Morris dance, like many art forms, experienced its share of problems with morality. In 17th century, Puritans were denouncing art and festive dancing as a form of expression.

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